Introducing: Shallowdrown
Leicester band Shallowdrown have crafted a diverse sound that fuses elements of heavy rock, indie, grunge and shoegaze and they describe as “loud, jangly and whimsical.”
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Leicester band Shallowdrown have crafted a diverse sound that fuses elements of heavy rock, indie, grunge and shoegaze and they describe as “loud, jangly and whimsical.”
Leicester band Value of Nothing formed in a pub toilet after a conversation about post-hardcore, and have gone on to craft a “fast and narky” radge post hardcore sound that they describe as “Militant. Raging. Bangers.”
Bristol-based band Dreamwrapon have conjured up a fusion of “chaotic rage jingles” in a loud but captivating rock sound that they describe as “mega, mint and occasionally gentle.”
Berkshire quartet Small Town Saviours fuse gigantic riffs and contagious choruses in a melodic rock sound they describe as “loud, catchy and explosive.”
British quartet Strayers offer up a nostalgic infatuation of alternative 90s and 2000s sounds and aesthetics that aims to be equal parts tongue-in-cheek fun and emotionally wrought. The band have crafted a deliciously feisty and grungey sound that they describe as “raw, catchy and loud.”
British hard rockers Paradise Sins harness the raw energy of classic rock’n’roll and melodic metal in an engaging sound that they describe as “huge, harmonious and heartfelt.”
Barnsley newcomers Midnight P.M. fuse elements of indie with punk pop in a fun and hooky sound that they describe as “emo indie rock.”
British trio Sleemo have crafted a genre-defying sound that combines elements of alternative metal, sludge, noise, post-hardcore and shoegaze and they describe as “dark, heavy and brooding.”
Bolton band Pageant Mum have crafted an intriguingly grungey, punky and catchy post-hardcore sound that aims to offer a voice for people going through the “shit parts of life” and they describe as “angry, dynamic and messy.”
London-based band Howling Hawk combine the best of British rock, from 90s Britpop to indie rock and 60s touches, in a sound they describe as a “B-side from 95.”
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